White clay, wheel-thrown, 60x80x40 produced by Alik Orkin
A shadow on the wall maps a territory. The outline that defines the area between two ceramic vessels form a space – imaginary or real – of a territorial entity, a state of being.
The light beam and its direction produce changi8ng geometrical formations, a fluidity of the space. The interplay of light and shadow suggests a hallucination and demonstrates the fragility of our national existence.
KNITTING THE NEWSPAPER